37 – EIGHTIES REVUE

Eighties RevueThe eighties was a decade of enlightenment. People in Africa were dying of hunger, holes had been discovered in the earth's ozone layer, many species of animals were on the verge of extinction and a new killer disease called AIDS had begun its rampage. The music industry rallied to the aid of African famine victims, the plight of the homeless, the fight against AIDS and the preservation of the environment by staging numerous fund raising concerts and events. The market was flooded with a great number of benefit recordings in support of the various causes.

On August 1, 1981, MTV began broadcasting and videos became the most lucrative strategy for music sales. An effective video could promote and enhance even the most mediocre piece of music, or at its best, create a visual backdrop for an exceptional recording. Unfortunately, in the beginning, the perfect marriage of audio and video excellence was a rarity. The public was often easily dazzled by packaging rather than product. The true test for quality music has always been in the listening.

Musically, the eighties began and ended somewhat in confusion. At the close of the 1970's, post punk and new wave seemed to be the leading trends in pop music. And although the term "disco" had been conveniently discarded, dance music in various forms often sounding suspiciously like its dreaded predecessor, began to dominate the charts. By the mid 1980's, rap and urban music was gaining in popularity. Everything seemed to revolve around the new dance culture. Elaborate staging and heavily choreographed dance routines forced the use of lip-synching. Many respected artists admitted to utilizing pre-recorded vocal tracks during live performances and several acts were subsequently exposed as frauds in the recording studio. In the video age, good looks were essential to commercial success and often attractive individuals were hired to visually represent studio created product. So-called ghost singers like the versatile Martha Wash of The Weather Girls were brought in to supply vocals for the more glamourous models who would mime the lyrics on video and during performances. Several artists such as New Kids On The Block and Paula Abdul were accused of using studio vocalists to beef up their sound. Perhaps the most embarrassing lip-synching scandal involved the dance/pop duo Milli Vanilli who were asked to forfeit their 1989 Best New Artist Grammy Award after it was revealed that they had not sang on their own hit album. It was a rather sad yet predictable situation, indicative of how big business and modern technology can easily dupe an unsuspecting public.

Rap, metal and dance music dominated the late 1980's, challenged only by the ever increasing strength of new country music. For those seeking refuge from high decibel rock and repetitive dance music, country was the logical non abrasive alternative. Besides, country had begun to spice up its appeal with flashy showmanship and a whole new crop of beautiful country queens and an equally sexy array of hunks in skin tight jeans and stetson hats.

If some of the music of the 1980's was colourless, we were kept awake mostly by a remarkable handful of creative and exciting new female artists. We were titillated by Eurythmics' Annie Lennox's cross-dressing, the hilarious antics of the outrageous Cyndi Lauper, the intricate terpsichory of dance-diva Paula Abdul, the provocative double entendres of Canada's Carole Pope and the sheer sexuality and shock value of Madonna.

A DECADE OF BENEFITS

BAND AID

U.S.A. FOR AFRICA

LIVE AID

NORTHERN LIGHTS

DIONNE WARWICK & FRIENDS

VOICES OF AMERICA

CANADIAN ARTISTS FOR THE ENVIRONMENT

VARIETY CLUBS INTERNATIONAL CHILDREN'S CHARITY

1980'S GROUPS

DIRE STRAITS

O.M.D.

U2

INXS

LOVERBOY

HUEY LEWIS & THE NEWS

R.E.M.

AIR SUPPLY

THE FIXX

BERLIN

THE NORTHERN PIKES

WANG CHUNG

THE HONEYDRIPPERS

SIMPLE MINDS

NEW ORDER

TEARS FOR FEARS

SIMPLY RED

CROWDED HOUSE

THE CURE

COWBOY JUNKIES

MIDNIGHT OIL

ERASURE

THE JEFF HEALEY BAND

FINE YOUNG CANNIBALS

LIVING COLOUR

A SELECTED LISTING OF OTHER EIGHTIES GROUPS

1980'S MALE ARTISTS

BRUCE COCKBURN

PETER GABRIEL

BRYAN ADAMS

PHIL COLLINS

STEVE WINWOOD

ROBERT PALMER

BILLY SQUIER

STEVE PERRY

GLENN FREY

DON HENLEY

THOMAS DOLBY

PAUL YOUNG

COREY HART

GEORGE MICHAEL/WHAM

STING

PETER CETERA

DAVID LEE ROTH

JELLYBEAN

RICHARD MARX

MICHAEL BOLTON

TERENCE TRENT D'ARBY

RICK ASTLEY

BOBBY BROWN

COLIN JAMES

HARRY CONNICK JR.

MICHAEL FEINSTEIN

BABYFACE

A SELECTED LISTING OF OTHER 1980'S MALE ARTISTS

1980'S FEMALE ARTISTS

MADONNA

KIM CARNES

JUICE NEWTON

SHEENA EASTON

STEVIE NICKS

TONI BASIL

LAURA BRANIGAN

JANET JACKSON

CYNDI LAUPER

SADE

WHITNEY HOUSTON

AMY GRANT

ALISON MOYET

BELINDA CARLISLE

GLORIA ESTEFAN/MIAMI SOUND MACHINE

ANITA BAKER

JODY WATLEY

DEBBIE GIBSON

TIFFANY

TAYLOR DAYNE

VANESSA WILLIAMS

ENYA

PAULA ABDUL

A SELECTED LISTING OF OTHER 1980'S FEMALE ARTISTS

1980'S R&B & DANCE/POP GROUPS

BANANARAMA

NEW EDITION

THE ART OF NOISE

BRONSKI BEAT/COMMUNARDS/JIMMY SOMERVILLE

DEAD OR ALIVE

PET SHOP BOYS

NEW KIDS ON THE BLOCK

MILLI VANILLI

SOUL II SOUL

A SELECTED LISTING OF OTHER 1980'S R&B & DANCE/POP GROUPS

NEW ALTERNATIVE AND INDUSTRIAL MUSIC

SEE

ALSO SEE

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